Saara Jahan Hamara — In 1950’s Bombay
We begin our journey in the film studios of 1950’s Bombay (then not yet known as Bollywood) where lyricists like Sahir Ludhianvi, Majrooh Sultanpuri, Shailendra, and others are using the power of their poetry to awaken people to the spirit of Constitutional Values
What do the songs of 1950’s Hindi cinema have in common with the poems of Bhakti saint-poets?
As we explore the histories of constitutional ideas through Bhakti poetry, we find a striking resonance in the values underpinning the Constitution of our modern republic. We begin our journey in twentieth century Bombay, where the film industry has created a new public sphere for expression by artists, lyricists and songwriters, who speak to a pan-India audience through the immense reach of this new medium. The pre-Independence Progressive Writers Association and its baton-bearing successors, the Indian People’s Theatre Association, endeavour to create a new public consciousness. The lyrics of Sahir Ludhianvi, Majrooh Sultanpuri and Shailendra thrum with a yearning to remind people of their rights and duties.
Bhakti Republic is presented by Amit Basole, Professor of Economics and Head, Centre for Sustainable Employment at Azim Premji University.
CREDITS:
Akshay Ramuhalli, Bijoy Venugopal, Bruce Lee Mani, Narayan Krishnaswamy, Prashant Vasudevan, Riju R Krishna, Sananda Dasgupta, Seema Seth, Shraddha Gautam, Supriya Joshi, and Velu Shankar
Acknowledgements:
A special thanks to Atif Anwar, Omkar Deshmukh, Seema Hussain, S. Pranesh (students at Azim Premji University)
Further reading
On Sahir Ludhianvi
On Majrooh Sultanpuri:
Article: When Majrooh Sultanpuri was jailed for writing against Nehru | The Print | Sabrang India
On Shailendra:
Article | The Print: Shailendra — the Leftist poet and Dalit genius whose lyrics define beauty of simplicity
Article | The Forward Press: Shaken Up By Shailendra (the article mentions his caste as Dhursia — cobbler)
Article | The Jamia Review: On the Poetry of Shailendra: A Folk Poet of Hindustani Cinema
On Annabhau Sathe:
Article | The Wire: Annabhau Sathe’s Writings Contributed Significantly to Anti-Caste, Anti-Class Ideas
Article | The Indian Express: Anna Bhau matured the purpose of literature to serve the Dalit cause
YouTube resources
- Majhe maher pandhari
- Kabir by Abida Parveen | Popular Kabir Songs 2015
- Qawwali — Yeh Ishq Ishq Hai — Barsaat Ki Raat 1960 — Madhubala Song
- Pt. Mallikarjun Mansur | Akka Kelavva (ಅಕ್ಕ ಕೇಳವ್ವ) | Akka Mahadevi Vachana | Live at Delhi
- Amar Shaikh
- Ae Dil Hai Mushkil jeena yaha jara hatke jara bachke (HD) — CID Songs — Johny Walker — Kumkum
- Mumbai chi lavani Annabhau Sathe
- Meri Mehboob Kahin Aur Mila Kar Mujhse — Mohammed Rafi — Sunil Dutt, Meena Kumari
- Woh Subah Kabhi to Aayegi HD — Mukesh, Asha Bhosle — Raj Kapoor, Mala Sinha | Phir Subah Hogi 1958
- Jane Woh Kaise Log The — Guru Dutt, Hemant Kumar, Pyaasa
- Pyaasa Full Movie | Old Hindi Movie HD | Guru Dutt | Waheeda Rehman | Mala Sinha |English Subtitles
- Chin O Arab Hamara Hindustan Hamara — Mukesh — PHIR SUBAH HOGI — Raj Kapoor, Mala Sinha
- Aaj Ki Raat Bahut Garm Hawa Chalti Hai — Kaifi Azmi recites for Balraj Sahni
- Jinhen Naaz Hai Hind Par — Pyaasa — Mohammed Rafi — Mala Sinha, Guru Dutt
- Original Nazm of Jinhe Naaz Hai Hind Par — Pyaasa | Sahir Ludhianvi
- Humne suna tha ek hai Bharat — DIDI (1959)
- Jag Badal Ghaluni Ghav Maj Sangun Gele Bhimrao | Anna Bhau Sathe | Bhimesh Bharti | Rajwada Audio
- [1929] Bombay Scenes with Extra and Raw Footage (Real Audio)
- MAJHI MAINA GAVAVAR RAHILI Marathi Geet I Jag Badal Ghaluni Ghaav Sangun Gele Mala Bhimrao
- Sambhaji Bhagat@Ulgulan2015 — Inki Soorat ko Pehchano Bhai
- Bane Ho Ek Khak Se | Classic Hindi Song | Lata Mangeshkar | Aarti (1962) Hindi Movie | Meena Kumari
- रमैय्या वस्तावैय्या Ramaiya Vastavaiya — HD वीडियो सोंग — लता मंगेशकर, मो.रफ़ी, मुकेश | Shree 420 |\
- Aa Ha Ayee Milan Ki Bela | Mohammed Rafi, Asha Bhosle|Ayee Milan Ki Bela 1964 Songs | Rajendra Kumar
- Mera Joota Hai Japani | Raj Kapoor | Nargis | Shree 420 | Evergreen Bollywood Hits {HD} | Mukesh
- Sajan re jhoot mat bolo khuda ke pas jana hai — Teesri Kasam — Waheeda Rehman & Raj Kapoor — Shailendra — a tribute
- Hindustani Cinema Ke Parde Par Urdu Shayari: Javed Akhtar & Naghma Saher at Jashn-e-Adab 2016
- Kisi Ki Muskurahaton Pe Ho Nisar | Raj Kapoor | Anari | Mukesh | Evergreen Hindi Songs HD
- Thehar Zara O Janewale — David — Ratan Kumar — Baby Naaz — Boot Polish — Manna Dey — Hindi Song
- Sar Jo Tera Chakraye [4K] Color Song : Johnny Walker | Mohd Rafi | Pyaasa (1957) Hindi Classic Songs
- 61 Sansar Se Bhage Phirte Ho Bhagwaan Ko Tum Kyaa Paaoge
- Duniya [Full Song] Gulaal, Ft. K K Menon, Mahi Gill
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Listen to Bhakti Republic with Amit Basole
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Saara Jahan Hamara — In 1950’s Bombay
We begin our journey in the film studios of 1950’s Bombay (then not yet known as Bollywood) where lyricists like Sahir Ludhianvi, Majrooh Sultanpuri, Shailendra, and others are using the power of their poetry to awaken people to the spirit of Constitutional Values
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Bombay Talkies — Cinema and Social Change
By the 20th century, cinema halls had mushroomed all over the city of Bombay and the industry attracted actors, dancers, singers, and songwriters. Songs were an inseparable part of these films, piggybacking on the tradition of Gujarati and Marathi theatre. The stage was set for a new breed of poets to write their way into history.
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Kathauti Mein Ganga — In Benaras with Kabir and Ravidas
Join Amit Basole for the second episode of this series, in which we explore how the histories of the values enshrined in our Constitution find resonance in the poetry of the Bhakti tradition